"Why don't you take morning exercise?", he said.
A.He advised me to take morning exercise.
B.He asked me why I don't take morning exercise.
C.He wanted to know why I don't take morning exercise.
D.He forced me to take morning exercise.

I. Choose the word whose underlined part has a different pronunciation from the others in each group

A.champion
B.school
C.chemistry
D.headache

Choose the best answer to each of the following questions.
The teacher expected Sarah ____ harder. He gave her a lot of homework ____.
A.studied / do
B.studying / done
C.study / doing
D.to study / to do

Choose the best answer to each of the following questions.
This advertisement needs ____ . We will have Peter ____ it.
A.to redesign / doing
B.redesigning / do
C.redesigned / did
D.redesign / to do

________(56)
A.work
B.problem
C.accident
D.event

VII. Read the text and questions below. For each question, circle the letter you choose A, B, C or D.
Even before the turn of the century, movies began to develop in two major directions: the realistic and the formalistic. Realism and formalism are merely general, rather than absolute, terms. When used to suggest a tendency toward either popularity, such labels can be helpful, but in the end they are still just labels. Few films are exclusively formalist in style, and fewer yet are completely realist. There is also an important difference between realism and reality, although this distinction is often forgotten. Realism is a particular style, whereas physical reality is the source of all the raw materials of film, both realistic and formalistic. Virtually all movie directors go to the photographable world of their subject matter, but what they do with this material - how they shape and manipulate it - determines their stylistic emphasis.
Generally speaking, realistic films attempt to reproduce the surface of concrete reality with a minimum of distortion. In photographing objects and events, the filmmaker tries to suggest the copiousness of life itself. Both realist and formalist film directors must select (and hence emphasize).
certain details from the chaotic sprawl of reality. But the element of selectivity in realistic films is less obvious. Realists, in short, try to preserve the illusion that their film world is not manipulated, an objective mirror of the : actual world. Formalists, on the other hand, make no such pretense. They deliberately stylize and distort their raw materials so that only the very naive would mistake a manipulated image of an object or event for the real thing.
We rarely notice the style in a realistic movie; the artist tends to be self-effacing. Some filmmakers are more concerned with what is being shown than how it is manipulated. The camera is used conservatively. It is essentially a recording mechanism that reproduces the surface of tangible objects with as little commentary as possible. A high premium is placed on simplicity, spontaneity, and directness. This is not to suggest that these movies -lack artistry, however, for at its best the realistic cinema specializes in art that conceals art.
Which of the following statements would the author be most likely to agree?
A.Realism and formalism are outdated terms.
B.Most films are neither exclusively realistic nor formalistic.
C.Realistic films are more popular than formalistic ones.
D.Formalistic films are less artistic than realistic ones.

VII. Read the text and questions below. For each question, circle the letter you choose A, B, C or D.
Even before the turn of the century, movies began to develop in two major directions: the realistic and the formalistic. Realism and formalism are merely general, rather than absolute, terms. When used to suggest a tendency toward either popularity, such labels can be helpful, but in the end they are still just labels. Few films are exclusively formalist in style, and fewer yet are completely realist. There is also an important difference between realism and reality, although this distinction is often forgotten. Realism is a particular style, whereas physical reality is the source of all the raw materials of film, both realistic and formalistic. Virtually all movie directors go to the photographable world of their subject matter, but what they do with this material - how they shape and manipulate it - determines their stylistic emphasis.
Generally speaking, realistic films attempt to reproduce the surface of concrete reality with a minimum of distortion. In photographing objects and events, the filmmaker tries to suggest the copiousness of life itself. Both realist and formalist film directors must select (and hence emphasize).
certain details from the chaotic sprawl of reality. But the element of selectivity in realistic films is less obvious. Realists, in short, try to preserve the illusion that their film world is not manipulated, an objective mirror of the : actual world. Formalists, on the other hand, make no such pretense. They deliberately stylize and distort their raw materials so that only the very naive would mistake a manipulated image of an object or event for the real thing.
We rarely notice the style in a realistic movie; the artist tends to be self-effacing. Some filmmakers are more concerned with what is being shown than how it is manipulated. The camera is used conservatively. It is essentially a recording mechanism that reproduces the surface of tangible objects with as little commentary as possible. A high premium is placed on simplicity, spontaneity, and directness. This is not to suggest that these movies -lack artistry, however, for at its best the realistic cinema specializes in art that conceals art.
How can one recognize the formalist style?
A.It obviously manipulates images.
B.It is very impersonal.
C.It uses familiar images.
D.It mirrors the actual world.

VIII. Choose the correct sentence among A, B, C or D which has the same meaning as the given one.
He didn't come until 6 o 'clock.
A.It was not until 6 o'clock that he came.
B.It was 6 o'clock before he came.
C.It was 6 o'clock, but he didn't come.
D.It was 6 o'clock, and he had already come.

___________(61)
A.to
B.or
C.so
D.that

________(58)
A.exhaust
B.line
C.gas
D.liquid