Mark the letter A, B, C, or D on your answer sheet to indicate the underlined part that needs correction in each of the following questions.
The scholarship that Wilson received to study history at Cambridge presented an unique opportunity.
A.The scholarship
B.at
C.an
D.Cambridge

Read the following passage and mark the letter A, B, C, or D on your answer sheet to indicate the correct answer to each of the questions from 44 to 50.
SPORTS COMMENTARY
One of the most interesting and distinctive of all uses of language is commentary. An oral reporting of ongoing activity, commentary is used in such public arenas as political ceremonies, parades, funerals, fashion shows and cooking demonstrations. The most frequently occurring type of commentary may be that connected with sports and games. In sports there are two kinds of commentary, and both are often used for the same sporting event. “Play-by-play” commentary narrates the sports event, while “colour –adding” or “colour” commentary provides the audience with pre-event background, during-event interpretation, and post-event evaluation. Colour commentary is usually conversational in style and can be a dialogue with two or more commentators.
Play-by-play commentary is of interest to linguists because it is unlike other kinds of narrative, which are typically reported in past tense. Play-by-play commentary is reported in present tense. Some examples are “he takes the lead by four” and “she’s in position.” One linguist characterizes radio play-by-play commentary as “a monologue directed at an unknown, unseen mass audience who voluntarily choose to listen…and provide no feedback to the speaker.” It is these characteristics that make this kind of commentary unlike any other type of speech situation.
The chief feature of play-by-play commentary is a highly formulaic style of presentation. There is distinctive grammar not only in the use of the present tense but also in the omission of certain elements of sentence structure. For example “Smith in close” eliminates the verb, as some newspaper headlines do. Another example is inverted word order, as in “over at third is Johnson.” Play-by-play commentary is very fluent, keeping up with the pace of the action. The rate is steady and there is little silence. The structure of the commentary is cyclical, reflecting the way most games consist of recurring sequences of short activities---as in tennis and baseball---or a limited number of activity options---as in the various kinds of football. In racing, the structure is even simpler, with the commentator informing the listener of the varying order of the competitors in a “state of play” summary, which is crucial for listeners or viewers who have just tuned in.
The word “that” in paragraph 1 refers to?
A.commentary
B.ongoing activity
C.language
D.sporting event

Read the following passage and mark the letter A, B, C, or D on your answer sheet to indicate the correct answer to each of the questions from 44 to 50.
SPORTS COMMENTARY
One of the most interesting and distinctive of all uses of language is commentary. An oral reporting of ongoing activity, commentary is used in such public arenas as political ceremonies, parades, funerals, fashion shows and cooking demonstrations. The most frequently occurring type of commentary may be that connected with sports and games. In sports there are two kinds of commentary, and both are often used for the same sporting event. “Play-by-play” commentary narrates the sports event, while “colour –adding” or “colour” commentary provides the audience with pre-event background, during-event interpretation, and post-event evaluation. Colour commentary is usually conversational in style and can be a dialogue with two or more commentators.
Play-by-play commentary is of interest to linguists because it is unlike other kinds of narrative, which are typically reported in past tense. Play-by-play commentary is reported in present tense. Some examples are “he takes the lead by four” and “she’s in position.” One linguist characterizes radio play-by-play commentary as “a monologue directed at an unknown, unseen mass audience who voluntarily choose to listen…and provide no feedback to the speaker.” It is these characteristics that make this kind of commentary unlike any other type of speech situation.
The chief feature of play-by-play commentary is a highly formulaic style of presentation. There is distinctive grammar not only in the use of the present tense but also in the omission of certain elements of sentence structure. For example “Smith in close” eliminates the verb, as some newspaper headlines do. Another example is inverted word order, as in “over at third is Johnson.” Play-by-play commentary is very fluent, keeping up with the pace of the action. The rate is steady and there is little silence. The structure of the commentary is cyclical, reflecting the way most games consist of recurring sequences of short activities---as in tennis and baseball---or a limited number of activity options---as in the various kinds of football. In racing, the structure is even simpler, with the commentator informing the listener of the varying order of the competitors in a “state of play” summary, which is crucial for listeners or viewers who have just tuned in.
How is play-by-play commentary distinct from other types of narrative?
A.It is not published in magazines.
B.It involves only one reporter.
C.It is not spoken in past tense.
D.It takes place after the event.

Read the following passage and mark the letter A, B, C, or D on your answer sheet to indicate the correct answer to each of the questions from 44 to 50.
SPORTS COMMENTARY
One of the most interesting and distinctive of all uses of language is commentary. An oral reporting of ongoing activity, commentary is used in such public arenas as political ceremonies, parades, funerals, fashion shows and cooking demonstrations. The most frequently occurring type of commentary may be that connected with sports and games. In sports there are two kinds of commentary, and both are often used for the same sporting event. “Play-by-play” commentary narrates the sports event, while “colour –adding” or “colour” commentary provides the audience with pre-event background, during-event interpretation, and post-event evaluation. Colour commentary is usually conversational in style and can be a dialogue with two or more commentators.
Play-by-play commentary is of interest to linguists because it is unlike other kinds of narrative, which are typically reported in past tense. Play-by-play commentary is reported in present tense. Some examples are “he takes the lead by four” and “she’s in position.” One linguist characterizes radio play-by-play commentary as “a monologue directed at an unknown, unseen mass audience who voluntarily choose to listen…and provide no feedback to the speaker.” It is these characteristics that make this kind of commentary unlike any other type of speech situation.
The chief feature of play-by-play commentary is a highly formulaic style of presentation. There is distinctive grammar not only in the use of the present tense but also in the omission of certain elements of sentence structure. For example “Smith in close” eliminates the verb, as some newspaper headlines do. Another example is inverted word order, as in “over at third is Johnson.” Play-by-play commentary is very fluent, keeping up with the pace of the action. The rate is steady and there is little silence. The structure of the commentary is cyclical, reflecting the way most games consist of recurring sequences of short activities---as in tennis and baseball---or a limited number of activity options---as in the various kinds of football. In racing, the structure is even simpler, with the commentator informing the listener of the varying order of the competitors in a “state of play” summary, which is crucial for listeners or viewers who have just tuned in.
The word “pace” in paragraph 3 is closest in meaning to?
A.speed
B.score
C.cause
D.plan

Read the following passage and mark the letter A, B, C, or D on your answer sheet to indicate the correct answer to each of the questions from 44 to 50.
SPORTS COMMENTARY
One of the most interesting and distinctive of all uses of language is commentary. An oral reporting of ongoing activity, commentary is used in such public arenas as political ceremonies, parades, funerals, fashion shows and cooking demonstrations. The most frequently occurring type of commentary may be that connected with sports and games. In sports there are two kinds of commentary, and both are often used for the same sporting event. “Play-by-play” commentary narrates the sports event, while “colour –adding” or “colour” commentary provides the audience with pre-event background, during-event interpretation, and post-event evaluation. Colour commentary is usually conversational in style and can be a dialogue with two or more commentators.
Play-by-play commentary is of interest to linguists because it is unlike other kinds of narrative, which are typically reported in past tense. Play-by-play commentary is reported in present tense. Some examples are “he takes the lead by four” and “she’s in position.” One linguist characterizes radio play-by-play commentary as “a monologue directed at an unknown, unseen mass audience who voluntarily choose to listen…and provide no feedback to the speaker.” It is these characteristics that make this kind of commentary unlike any other type of speech situation.
The chief feature of play-by-play commentary is a highly formulaic style of presentation. There is distinctive grammar not only in the use of the present tense but also in the omission of certain elements of sentence structure. For example “Smith in close” eliminates the verb, as some newspaper headlines do. Another example is inverted word order, as in “over at third is Johnson.” Play-by-play commentary is very fluent, keeping up with the pace of the action. The rate is steady and there is little silence. The structure of the commentary is cyclical, reflecting the way most games consist of recurring sequences of short activities---as in tennis and baseball---or a limited number of activity options---as in the various kinds of football. In racing, the structure is even simpler, with the commentator informing the listener of the varying order of the competitors in a “state of play” summary, which is crucial for listeners or viewers who have just tuned in.
The word “crucial” in paragraph 3 is closest in meaning to?
A.fascinating
B.important
C.confusing
D.generous

Mark the letter A, B, C, or D on your answer sheet to indicate the word(s) CLOSET in meaning to the underlined word(s) in each of the following questions.
I had tried to sketch an aspect of life that I had seen and known, and that was very well indeed, and I had wrought patiently and carefully in the art of the poor little affair.
A.a nature
B.a part
C.a character
D.an appearance

Mark the letter A, B, C, or D on your answer sheet to indicate the word(s) OPPOSITE in meaning to the underlined word(s) in each of the following questions.
She was brought up in a well-off family. She can’t understand the problems we are facing.
A.broke
B.wealthy
C.kind
D.poor

Read the following passage and mark the letter A, B, C, or D on your answer sheet to indicate the correct answer to each of the questions from 28 to 32.
Teenage fiction
Teenagers have their own TV channels, websites and magazines. So what about books?
Last year one publisher, Martins, started publishing a series called Waves. We spoke to the director Julia Smith. She explained, “Teenage fiction has been published since the 1970s but publishers have never been particularly successful in getting teenagers to buy and read books. Now they’re realizing that teenagers aren’t just older children but they’re not adults either and often aren’t interested in adult fiction. For this series we’re looking for new writers who write especially for teenagers.”
Athene Gorr’s novel was published in the series last year and is selling well. Its title is The Purple Ring. She says, “The important thing is to persuade teenagers to pick up your book. I’m a new writer so, although I’ve got an unusual name which people might remember, nobody knows it yet! But my book has a fantastic cover which makes people want to look inside. Then they realize what a brilliant story it is!”
And what do teenagers themselves think about the series? We talked to Sophie Clarke, aged 15. She said, “I’ve read a few books in the Waves series. They say they’re for 14-19 year olds and I agree with that. We’re not interested in the same things as people in their twenties and thirties. I like them and I think they look really good too. The only thing is that because bookshops put them in the children’s section, lots of teenagers won’t find them so they may not do very well. And it’s a shame there’s no non-fiction in the series as I think lots of teenagers, especially boys, might buy that.”
Julia Smith says publisher now recognize that teenagers _________.
A.can enjoy the same kind of stories as adults
B.are more interested in reading nowadays
C.grow up more quickly nowadays
D.are neither children nor adults

Read the following passage and mark the letter A, B, C, or D on your answer sheet to indicate the correct answer to each of the questions from 28 to 32.
Teenage fiction
Teenagers have their own TV channels, websites and magazines. So what about books?
Last year one publisher, Martins, started publishing a series called Waves. We spoke to the director Julia Smith. She explained, “Teenage fiction has been published since the 1970s but publishers have never been particularly successful in getting teenagers to buy and read books. Now they’re realizing that teenagers aren’t just older children but they’re not adults either and often aren’t interested in adult fiction. For this series we’re looking for new writers who write especially for teenagers.”
Athene Gorr’s novel was published in the series last year and is selling well. Its title is The Purple Ring. She says, “The important thing is to persuade teenagers to pick up your book. I’m a new writer so, although I’ve got an unusual name which people might remember, nobody knows it yet! But my book has a fantastic cover which makes people want to look inside. Then they realize what a brilliant story it is!”
And what do teenagers themselves think about the series? We talked to Sophie Clarke, aged 15. She said, “I’ve read a few books in the Waves series. They say they’re for 14-19 year olds and I agree with that. We’re not interested in the same things as people in their twenties and thirties. I like them and I think they look really good too. The only thing is that because bookshops put them in the children’s section, lots of teenagers won’t find them so they may not do very well. And it’s a shame there’s no non-fiction in the series as I think lots of teenagers, especially boys, might buy that.”
What does Sophie Clarke say about the books in the Waves series?
A.They shouldn’t be kept with children’s books.
B.She would prefer to read adult fiction.
C.They will be brought by lots of teenagers.
D.She isn’t keen on the design.

Read the following passage and mark the letter A, B, C, or D on your answer sheet to indicate the correct answer to each of the questions from 28 to 32.
Teenage fiction
Teenagers have their own TV channels, websites and magazines. So what about books?
Last year one publisher, Martins, started publishing a series called Waves. We spoke to the director Julia Smith. She explained, “Teenage fiction has been published since the 1970s but publishers have never been particularly successful in getting teenagers to buy and read books. Now they’re realizing that teenagers aren’t just older children but they’re not adults either and often aren’t interested in adult fiction. For this series we’re looking for new writers who write especially for teenagers.”
Athene Gorr’s novel was published in the series last year and is selling well. Its title is The Purple Ring. She says, “The important thing is to persuade teenagers to pick up your book. I’m a new writer so, although I’ve got an unusual name which people might remember, nobody knows it yet! But my book has a fantastic cover which makes people want to look inside. Then they realize what a brilliant story it is!”
And what do teenagers themselves think about the series? We talked to Sophie Clarke, aged 15. She said, “I’ve read a few books in the Waves series. They say they’re for 14-19 year olds and I agree with that. We’re not interested in the same things as people in their twenties and thirties. I like them and I think they look really good too. The only thing is that because bookshops put them in the children’s section, lots of teenagers won’t find them so they may not do very well. And it’s a shame there’s no non-fiction in the series as I think lots of teenagers, especially boys, might buy that.”
Which of these paragraphs could be used to advertise the Waves series?
A.“This series is for all teenagers and those who are nearly teenagers. Whether you’re 10 or 19, you’ll find something here to please you.”
B.“Choose a book from the Waves series. It includes both fiction and non-fiction and is aimed at teenagers aged 14+.”
C.“The Waves series has been popular with teenagers since the 1970s. This year we have added 20 new writers to our list.”
D.“If you’re aged between 14 and 19, don’t miss the Waves series which has novels by new authors.”