Read the following passage and mark the letter A, B, C or D on your answer sheet to indicate the correct word that best fits each of the numbered blanks from 35 to 44.
Environmental Concerns
Earth is the only place we know of in the universe that can support human life. (35) _____ human activities are making the planet less fit to live on. As the western world (36) _____ on consuming two-thirds of the world's resources while half of the world's population do so just to stay alive we are rapidly destroying the (37) _____ resource we have by which all people can survive and prosper. Everywhere fertile soil is (38) _____ built on or washed into the sea. Renewable resources are exploited so much that they will never be able to recover (39) _____. We discharge pollutants into the atmosphere without any thought of the consequences. As a (40) _____ the planet's ability to support people is being reduced at the very time when rising human numbers and consumption are (41) _____ increasingly heavy demands on it.
The Earth's (42) _____ resources are there for us to use. We need food, water, air, energy, medicines, warmth, shelter and minerals to (43) _____ us fed, comfortable, healthy and active. If we are sensible in how we use the resources, they will (44) _____ indefinitely. But if we use them wastefully and excessively, they will soon run out and everyone will suffer.

A.Although
B.Yet
C.Still
D.Despite

Các câu hỏi liên quan

Read the following passage and mark the letter (A, B, C or D) on your answer sheet to indicate the correct answer to each for the question from 61 to 70.

Sir Anthony Van Dyck, one of the world’s greatest masters of portraiture, was born in Antwerp and was the seventh of twelve children. His affluent father apprenticed him to a painter when he was just a little over ten. Having become a member of the Antwerp Guild of painters before he was nineteen, he worked in the studio of Peter Paul Rubens for several years. In Italy, Van Dyck studied the great Venetian masters and painted flattering portraits of gorgeous ladies and haughty nobles in gilded velvet robes with lace and pearls. While he was sought after by the aristocracy for his acclaimed loose brushwork, his engravings and etchings also evinced his outstanding talent. Upon his return to Antwerp in 1628, he was influenced by Rubens’s interpretation of the artistic form and produced numerous religious paintings while holding an appointment as the court painter. During his tenure, he proved that his use of color, his sensitive elegance, and his remarkable insight were unexcelled.
His fame preceded him to England, where he was invited by King Charles I. After years of faithful service, he was knighted in recognition of his achievements in painting countless portraits of the king, the queen, the royal children, and the titled nobility of England.
However, Van Dyck’s greatest piece is one of his religious works, a true masterpiece displayed in the Antwerp gallery. This group scene exhibits his artful polish in painting the folds of fabric, the delicacy of human skin, landscape, and other externals, and puts him above other accomplished contemporary masters. Although Charles paid Van Dyck a salary and granted him a pension, the painter’s extravagant life-style and penchant for luxuries led him into debt, and he died without means.
The author’s tone in the passage can be described as
A.critical
B.wistful
C.admiring
D.indifferent