Chọn 01 lựa chọn đúng trong 04 lựa chọn cho sẵn để điền vào chỗ trống trong mỗi câu hỏi
It’s high time you ______ to study harder since last year, you had a very bad result.
A.will start    
B.start        
C.to start         
D. started

Chọn 01 lựa chọn đúng trong 04 lựa chọn cho sẵn để điền vào chỗ trống trong mỗi câu hỏi
The new dress makes her mother much more ______ 
A.beauty      
B.beautifully  
C.beautify        
D.beautiful

Chọn 01 lựa chọn đúng trong 04 lựa chọn cho sẵn để điền vào chỗ trống trong đoạn văn
It can take a long time to become successful in your chosen field, however talented you are. One thing you have to be (1) _______ of is that you will face criticism along the way. The world is (2)_________ of people who would rather say something negative than positive. If you’ve made up your (3)_______ to achieve a certain goal, such as writing a novel, (4)_________ the negative criticism of others prevent you from reaching your target, and let the constructive criticism have a positive effect on your work. If someone says you’re totally in the (5)______ of talent, ignore them. That’s negative criticism. If (6), __________, someone advises you to revise your work and gives you a good reason for doing so, you should consider their suggestions carefully. There are many film stars (7)__________ were once out of work . There are many famous novelists who made a complete mess of their first novel – or who didn’t, but had to keep on approaching hundreds of publishers before they could get it (8) ________. Being successful does depend on luck, to a (9)________ extent. But things are more likely to (10) ________ well if you persevere and stay positive.
Chọn 01 lựa chọn đúng trong 04 lựa chọn cho sẵn đề điền vào chỗ trống số (6)
A.hence      
B.whereas   
C.otherwise  
D.however

Chọn 01 lựa chọn đúng trong 04 lựa chọn cho sẵn để điền vào chỗ trống trong đoạn văn
It can take a long time to become successful in your chosen field, however talented you are. One thing you have to be (1) _______ of is that you will face criticism along the way. The world is (2)_________ of people who would rather say something negative than positive. If you’ve made up your (3)_______ to achieve a certain goal, such as writing a novel, (4)_________ the negative criticism of others prevent you from reaching your target, and let the constructive criticism have a positive effect on your work. If someone says you’re totally in the (5)______ of talent, ignore them. That’s negative criticism. If (6), __________, someone advises you to revise your work and gives you a good reason for doing so, you should consider their suggestions carefully. There are many film stars (7)__________ were once out of work . There are many famous novelists who made a complete mess of their first novel – or who didn’t, but had to keep on approaching hundreds of publishers before they could get it (8) ________. Being successful does depend on luck, to a (9)________ extent. But things are more likely to (10) ________ well if you persevere and stay positive.
Chọn 01 lựa chọn đúng trong 04 lựa chọn cho sẵn đề điền vào chỗ trống số (7)
A.which      
B.whom     
C.they      
D.who

Đọc đoạn văn và trả lời 10 câu hỏi kèm theo.
The yêm is  an  ancient  common  upper-body  garment  for Vietnamese  girls  and  women  for thousands  of  years  until  after  World  War  II,  when  Western  dressing  style  entered  and  became popular.
A yêm was a sexy simply-cut piece of usually simple cloth, which could be either outerwear or  undershirt.  As  Vietnam  has  a  tropical  climate  with  hot  and  humid  summers,  the  lighter  and airier the clothes are the better. The yêm was the solution in the old days for Vietnamese people to the environment. Colours and materials of the yêm reflected the woman’s age and social status. Older women tended to wear round-necked, and younger ones the v-neck style. The working-class women wore dark colours such as black, beige, or brown, and coarse cloth, while the elite opted for more festive, brighter tones such as red and pink or white, normally in dedicate cloth such as silk or satin.
Throughout history, the design of the yêm stayed almost the same. However, there was much room for flexibility. When a woman was young, she tied the strings loosely to let the neck come lower, especially when she wore necklaces. When she got older, she pulled the strings tighter to raise the neck higher. This is a good example of the Vietnamese dressing style – simplicity but with a height of delicacy and sexiness.
The yêm dates to the Hung Kings (2879 BC - 258 AD). Evidence can be found in the images of women in decoration on a Dong Xa bronze drum, cast over 2,000 years ago. It made its way down to around  1945 as a traditional costume exclusively of Vietnamese women. Photos of Vietnamese women in the 1940s still showed some of them wearing the yêm. From the mid-20th century, along with the decline  of the yêm to give way for Western dressing trends, many traditions disappeared, such as tying the hair around the head, or having the teeth dyed. Recently, the yêm is making a comeback, but only on the catwalk.
According to the passage, the yêm ________.
A.helped know about a woman’s fashion style 
B.was different in colors to tell a woman’s age
C.could not work much in the tropical climate
D.was made from different cloths based on a woman’s class

Đọc đoạn văn và trả lời 10 câu hỏi kèm theo.
The yêm is  an  ancient  common  upper-body  garment  for Vietnamese  girls  and  women  for thousands  of  years  until  after  World  War  II,  when  Western  dressing  style  entered  and  became popular.
A yêm was a sexy simply-cut piece of usually simple cloth, which could be either outerwear or  undershirt.  As  Vietnam  has  a  tropical  climate  with  hot  and  humid  summers,  the  lighter  and airier the clothes are the better. The yêm was the solution in the old days for Vietnamese people to the environment. Colours and materials of the yêm reflected the woman’s age and social status. Older women tended to wear round-necked, and younger ones the v-neck style. The working-class women wore dark colours such as black, beige, or brown, and coarse cloth, while the elite opted for more festive, brighter tones such as red and pink or white, normally in dedicate cloth such as silk or satin.
Throughout history, the design of the yêm stayed almost the same. However, there was much room for flexibility. When a woman was young, she tied the strings loosely to let the neck come lower, especially when she wore necklaces. When she got older, she pulled the strings tighter to raise the neck higher. This is a good example of the Vietnamese dressing style – simplicity but with a height of delicacy and sexiness.
The yêm dates to the Hung Kings (2879 BC - 258 AD). Evidence can be found in the images of women in decoration on a Dong Xa bronze drum, cast over 2,000 years ago. It made its way down to around  1945 as a traditional costume exclusively of Vietnamese women. Photos of Vietnamese women in the 1940s still showed some of them wearing the yêm. From the mid-20th century, along with the decline  of the yêm to give way for Western dressing trends, many traditions disappeared, such as tying the hair around the head, or having the teeth dyed. Recently, the yêm is making a comeback, but only on the catwalk.
The phrase “opted for” in line 10 is closest in meaning to______.
A.maintained 
B.desired      
C.fancied       
D.adopted

Đọc đoạn văn và trả lời 10 câu hỏi kèm theo.
The yêm is  an  ancient  common  upper-body  garment  for Vietnamese  girls  and  women  for thousands  of  years  until  after  World  War  II,  when  Western  dressing  style  entered  and  became popular.
A yêm was a sexy simply-cut piece of usually simple cloth, which could be either outerwear or  undershirt.  As  Vietnam  has  a  tropical  climate  with  hot  and  humid  summers,  the  lighter  and airier the clothes are the better. The yêm was the solution in the old days for Vietnamese people to the environment. Colours and materials of the yêm reflected the woman’s age and social status. Older women tended to wear round-necked, and younger ones the v-neck style. The working-class women wore dark colours such as black, beige, or brown, and coarse cloth, while the elite opted for more festive, brighter tones such as red and pink or white, normally in dedicate cloth such as silk or satin.
Throughout history, the design of the yêm stayed almost the same. However, there was much room for flexibility. When a woman was young, she tied the strings loosely to let the neck come lower, especially when she wore necklaces. When she got older, she pulled the strings tighter to raise the neck higher. This is a good example of the Vietnamese dressing style – simplicity but with a height of delicacy and sexiness.
The yêm dates to the Hung Kings (2879 BC - 258 AD). Evidence can be found in the images of women in decoration on a Dong Xa bronze drum, cast over 2,000 years ago. It made its way down to around  1945 as a traditional costume exclusively of Vietnamese women. Photos of Vietnamese women in the 1940s still showed some of them wearing the yêm. From the mid-20th century, along with the decline  of the yêm to give way for Western dressing trends, many traditions disappeared, such as tying the hair around the head, or having the teeth dyed. Recently, the yêm is making a comeback, but only on the catwalk.
What was the material of working-class women’s yêm?
A.Silk       
B.Satin       
C.Soft cloth     
D.Rough cloth

Đọc đoạn văn và trả lời 10 câu hỏi kèm theo.
The yêm is  an  ancient  common  upper-body  garment  for Vietnamese  girls  and  women  for thousands  of  years  until  after  World  War  II,  when  Western  dressing  style  entered  and  became popular.
A yêm was a sexy simply-cut piece of usually simple cloth, which could be either outerwear or  undershirt.  As  Vietnam  has  a  tropical  climate  with  hot  and  humid  summers,  the  lighter  and airier the clothes are the better. The yêm was the solution in the old days for Vietnamese people to the environment. Colours and materials of the yêm reflected the woman’s age and social status. Older women tended to wear round-necked, and younger ones the v-neck style. The working-class women wore dark colours such as black, beige, or brown, and coarse cloth, while the elite opted for more festive, brighter tones such as red and pink or white, normally in dedicate cloth such as silk or satin.
Throughout history, the design of the yêm stayed almost the same. However, there was much room for flexibility. When a woman was young, she tied the strings loosely to let the neck come lower, especially when she wore necklaces. When she got older, she pulled the strings tighter to raise the neck higher. This is a good example of the Vietnamese dressing style – simplicity but with a height of delicacy and sexiness.
The yêm dates to the Hung Kings (2879 BC - 258 AD). Evidence can be found in the images of women in decoration on a Dong Xa bronze drum, cast over 2,000 years ago. It made its way down to around  1945 as a traditional costume exclusively of Vietnamese women. Photos of Vietnamese women in the 1940s still showed some of them wearing the yêm. From the mid-20th century, along with the decline  of the yêm to give way for Western dressing trends, many traditions disappeared, such as tying the hair around the head, or having the teeth dyed. Recently, the yêm is making a comeback, but only on the catwalk.
According to the passage, which of the following statements is true about the yêm?
A.It was made from expensive cloth. 
B.It was worn as undershirt only.
C.It appeared in the World War II.   
D.It was worn in hot weathers

Đọc đoạn văn và trả lời 10 câu hỏi kèm theo.
The yêm is  an  ancient  common  upper-body  garment  for Vietnamese  girls  and  women  for thousands  of  years  until  after  World  War  II,  when  Western  dressing  style  entered  and  became popular.
A yêm was a sexy simply-cut piece of usually simple cloth, which could be either outerwear or  undershirt.  As  Vietnam  has  a  tropical  climate  with  hot  and  humid  summers,  the  lighter  and airier the clothes are the better. The yêm was the solution in the old days for Vietnamese people to the environment. Colours and materials of the yêm reflected the woman’s age and social status. Older women tended to wear round-necked, and younger ones the v-neck style. The working-class women wore dark colours such as black, beige, or brown, and coarse cloth, while the elite opted for more festive, brighter tones such as red and pink or white, normally in dedicate cloth such as silk or satin.
Throughout history, the design of the yêm stayed almost the same. However, there was much room for flexibility. When a woman was young, she tied the strings loosely to let the neck come lower, especially when she wore necklaces. When she got older, she pulled the strings tighter to raise the neck higher. This is a good example of the Vietnamese dressing style – simplicity but with a height of delicacy and sexiness.
The yêm dates to the Hung Kings (2879 BC - 258 AD). Evidence can be found in the images of women in decoration on a Dong Xa bronze drum, cast over 2,000 years ago. It made its way down to around  1945 as a traditional costume exclusively of Vietnamese women. Photos of Vietnamese women in the 1940s still showed some of them wearing the yêm. From the mid-20th century, along with the decline  of the yêm to give way for Western dressing trends, many traditions disappeared, such as tying the hair around the head, or having the teeth dyed. Recently, the yêm is making a comeback, but only on the catwalk.
According to the passage, who wore the yêm in Vietnam?
A.Working-class women     
B.Married women 
C.Elite girls and women      
D.Girls and women

Đọc đoạn văn và trả lời 10 câu hỏi kèm theo.
The yêm is  an  ancient  common  upper-body  garment  for Vietnamese  girls  and  women  for thousands  of  years  until  after  World  War  II,  when  Western  dressing  style  entered  and  became popular.
A yêm was a sexy simply-cut piece of usually simple cloth, which could be either outerwear or  undershirt.  As  Vietnam  has  a  tropical  climate  with  hot  and  humid  summers,  the  lighter  and airier the clothes are the better. The yêm was the solution in the old days for Vietnamese people to the environment. Colours and materials of the yêm reflected the woman’s age and social status. Older women tended to wear round-necked, and younger ones the v-neck style. The working-class women wore dark colours such as black, beige, or brown, and coarse cloth, while the elite opted for more festive, brighter tones such as red and pink or white, normally in dedicate cloth such as silk or satin.
Throughout history, the design of the yêm stayed almost the same. However, there was much room for flexibility. When a woman was young, she tied the strings loosely to let the neck come lower, especially when she wore necklaces. When she got older, she pulled the strings tighter to raise the neck higher. This is a good example of the Vietnamese dressing style – simplicity but with a height of delicacy and sexiness.
The yêm dates to the Hung Kings (2879 BC - 258 AD). Evidence can be found in the images of women in decoration on a Dong Xa bronze drum, cast over 2,000 years ago. It made its way down to around  1945 as a traditional costume exclusively of Vietnamese women. Photos of Vietnamese women in the 1940s still showed some of them wearing the yêm. From the mid-20th century, along with the decline  of the yêm to give way for Western dressing trends, many traditions disappeared, such as tying the hair around the head, or having the teeth dyed. Recently, the yêm is making a comeback, but only on the catwalk.
What is the passage mainly about?
A.The simple but attractive style of the yêm
B.The ups and downs in the history of the yêm  
C.The roles of the yêm in Vietnamese culture 
D.The historical and fashion values of the yêm