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1. Quan Ho folk songs are one of the typical folk songs of the Red River Delta region in northern Vietnam. It was formed and developed in the ancient Kinh Bac cultural area, especially the border area of today's Bac Giang and Bac Ninh provinces with Cau River flowing through it is called "Quan Ho River".
2. Since the 70s of the twentieth century, the Department of Culture of Ha Bac has collected the mandarin family. Thousands of Quan Ho songs, including variations have been recorded in Quan Ho villages, with the voices of hundreds of artists. After screening and selecting, musician and researcher Hong Thao signed the sound into a piece of music, adding some specific characters for Quan Ho melody. About 300 of the best Quan they have been printed by the Music Publishing House.
Immediately after being recognized by UNESCO as an intangible world cultural heritage, Bac Giang province built an Action Program to preserve the Quan Ho Folk Songs. On the basis of its commitments with UNESCO, Bac Giang province has implemented many typical activities such as: Continuing to collect, research, introduce and promote the beauty and beauty of the folk folk songs of the North River. Bridge; organize seminars on conservation and promotion of Quan Ho folk heritage in Bac Giang province; publishes publications, such as: Songs for Quan Họ, 120 Songs of Counter-Guan Family; Quan village of North Cau river (introducing 18 villages of northern Cau river in Viet Yen homeland); Quan they songs are popular in Bac Giang.
3. Currently, under the impact of the trend of integration and globalization and the introduction of many cultures, music has made a remarkable change and achieved some proud achievements. The music world has had many new faces appearing in a number of fields such as: composing, performing, and critical reasoning domestically and internationally. However, the rapid integration and development of the Vietnamese economy has had a great impact on many aspects of our people's lives, especially in the music sector. preserving and preserving traditional values of folk culture and arts is getting old and weak and many people have died. Young people are indifferent and indifferent, leading to valuable legacies of folk culture and arts increasingly fading. In composing, many musical works are somewhat deviated, not following the fine national customs, but still received and praised excessively by young people. This leads to an unbalanced development in the field of music composition. Music creation is no longer reserved for serious and methodical creators, but a part has been pushed out of the ethical standards and national traditions.
However, that is not the reason why folk songs are absent in the songwriting field. Many musicians still compose songs with bold folk styles in folk songs such as: ca trù, the folk folk song, the folk song of Nghệ Tĩnh ... Typically: The song "On top of Phu Van", " on the mountain "," The girls in the homeland regard them "by composer Pho Duc Phuong; The song "Bac Ninh - Kinh Bac" by composer Le May, The song "The wriggling region" by musician Ngo Quoc Tinh; The song "Search in the Lim's Evening" by musician Nguyen Trung; The song "Send to the mandarin", "The three-range hat" by musician Duc Mieng ...
Musicians who have composed folk songs have borrowed words bearing folk-style in folk tunes, proverbs, ancient folk songs, imbued with earth and human love; lyrical music melodies in folk songs of different regions. Therefore, we see that even under any conditions, the artists who have equipped themselves with living capital, understanding and maintaining a standard ethical style will never now leaving the traditional culture of the homeland, because there is a heavy national spirit.
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