V:Read the following passage and mark the letter on your answer sheet to indicate the correct answer.Before photography was invented in 1839, painted portraits, and engravings based on them, were one of the few ways to record likenesses. From the Colonial era through the 1820s, portraiture was the most widely practiced genre of American art, and it continued to be a significant form through the 19th century. The demand for likenesses was incessant, and portraiture was often the primary source of income for artists. Artists frequently made portraits of famous people to attract interest and potential patrons. For example, in 1834 Chester Harding painted frontiersman Davy Crockett, then a member of the U.S. House of Representatives, for display in hisBoston gallery.A consistent belief through most of the 18th and 19th centuries was that character could be read from a person's face, or the bumps on his or her head, or from facial expressions, and that portraits should convey these indicators of character. These theories of physiognomy and phrenology have since been debunked, but they were important considerations in depicting the nation's leaders, since such portraits were often made for posterity. Most people had only one portrait painted in their lifetime, if at all, so artists were selected with great care, and expectations were high.Before the 1840s, American portraiture was influenced primarily by English techniques, poses, compositions and gestures, and many artists received at least part of their training inEngland. Even canvas sizes followed the British example. Portraits made on commission were priced according to canvas size and the materials and labor involved.In the late 19th century as European portraitists began traveling to the United States to acquire commissions from the growing upper class, American artists increasingly felt they needed to train abroad in order to succeed at home.Paris continued to be the main lure. as painters such as Eakins, Whistler, Beaux and Sargent went to study there. Some ofAmerica's best-known portraitists, in fact, became expatriates.
Câu 1: What does the passage mainly discussed?
A. art in 19th centuryAmerica
B. portraiture in 19th centuryAmerica
C. the early years of photography
D. the influence of other countries on American art
Câu 2: Which of the following statements best represents the meaning of the first sentence (lines1 and 2) before photography was invented in 1839?
A. painted portraits and engravings were very lifelike.
B. there was no accurate way to record a likeness before photography was invented.
C. there were not many ways other than painted portraits and engravings if you wanted to record what somebody looked like.
D. engravings were based on portraits and not as lifelike
Câu 3: Why does the author mention Davy Crocket in paragraph 1?
A. as an example of an artist using a famous person to gain attention to his work
B. because Crocket was also a famous artist
C. as an example of the types of people who could afford to pay for their portrait to be painted
D. because gallery owners often had famous people as patrons
Câu 4: In paragraph 2, what did people look for in a good portrait?
A. clear facial expressions
B. an accurate likeness
C. indicators of character
D. every detail, including bumps on the head
Câu 5: Physiognomy and phrenology are theories _________ .
A. that are no longer as popular
B. that were used to enable people to select artists with the best characteristics in their appearance
C. that meant people usually only needed one portrait
D. that were used to try to get the closet likeness possible
Câu 6: The word poses is closest in meaning to _________ .
A. stance
B. height
C. weight
D. manner
Câu 7: The word acquire is closest in meaning to ___________ .
A. steal
B. borrow
C. ask
D. get
Câu 8: In what ways did American artists try to gain greater success?
A. by inviting European artists toAmerica
B. by traveling abroad
C. by becoming expatriates
D. by not only painting portraits
Câu 9: The final paragraph of the passage will probably continue with a discussion of _________ .
A. artists moving between countries
B. other ways artists tried to gain local
C. artists from other countries
D. other lesser known artists
Câu 10: Where in the passage does the author draw a comparison of American and English practices in producing commission portraits?
A. the first paragraph
B. the second paragraph
C. the third paragraph
D. the fourth paragraph
024.7300.7989
1800.6947
A.
B.
C.
D.
Câu 1: What does the passage mainly discussed?
A. art in 19th centuryAmerica
B. portraiture in 19th centuryAmerica
C. the early years of photography
D. the influence of other countries on American art
Câu 2: Which of the following statements best represents the meaning of the first sentence (lines1 and 2) before photography was invented in 1839?
A. painted portraits and engravings were very lifelike.
B. there was no accurate way to record a likeness before photography was invented.
C. there were not many ways other than painted portraits and engravings if you wanted to record what somebody looked like.
D. engravings were based on portraits and not as lifelike
Câu 3: Why does the author mention Davy Crocket in paragraph 1?
A. as an example of an artist using a famous person to gain attention to his work
B. because Crocket was also a famous artist
C. as an example of the types of people who could afford to pay for their portrait to be painted
D. because gallery owners often had famous people as patrons
Câu 4: In paragraph 2, what did people look for in a good portrait?
A. clear facial expressions
B. an accurate likeness
C. indicators of character
D. every detail, including bumps on the head
Câu 5: Physiognomy and phrenology are theories _________ .
A. that are no longer as popular
B. that were used to enable people to select artists with the best characteristics in their appearance
C. that meant people usually only needed one portrait
D. that were used to try to get the closet likeness possible
Câu 6: The word poses is closest in meaning to _________ .
A. stance
B. height
C. weight
D. manner
Câu 7: The word acquire is closest in meaning to ___________ .
A. steal
B. borrow
C. ask
D. get
Câu 8: In what ways did American artists try to gain greater success?
A. by inviting European artists toAmerica
B. by traveling abroad
C. by becoming expatriates
D. by not only painting portraits
Câu 9: The final paragraph of the passage will probably continue with a discussion of _________ .
A. artists moving between countries
B. other ways artists tried to gain local
C. artists from other countries
D. other lesser known artists
Câu 10: Where in the passage does the author draw a comparison of American and English practices in producing commission portraits?
A. the first paragraph
B. the second paragraph
C. the third paragraph
D. the fourth paragraph
024.7300.7989
1800.6947
A.
B.
C.
D.
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